Theatre.

Middle-Grade.

Tim Federle, BETTER NATE THAN EVER (2013).

Better Nate Than Ever #1.

Nate Foster has big dreams. His whole life, he’s wanted to star in a Broadway show. (Heck, he’d settle for *seeing* a Broadway show.) But how is Nate supposed to make his dreams come true when he’s stuck in Jankburg, Pennsylvania, where no one (except his best pal Libby) appreciates a good show tune? With Libby’s help, Nate plans a daring overnight escape to New York. There’s an open casting call for E.T.: The Musical, and Nate knows this could be the difference between small-town blues and big-time stardom.” 

Robin Stevens, Death in the Spotlight (2018)

Murder Most Unladylike #7.

Daisy Wells and Hazel Wong are off to the beautiful Rue Theatre in London, where they will face an entirely new challenge: acting. But behind the theatre’s glittering facade, the girls soon realise that there is trouble at the Rue. Jealousy, threats and horrible pranks quickly spiral out of control – and then one of the cast is found dead.

As opening night looms closer, Hazel and Daisy must take centre stage and solve the crime . . . before the murderer strikes again.”

Young Adult.

Emma Lord, WHEN YOU GET THE CHANCE (2022).

Nothing will get in the way of Millie Price’s dream to become a Broadway star. Not her lovable but super-introverted dad, who after raising Millie alone, doesn’t want to watch her leave home to pursue her dream. Not her pesky and ongoing drama club rival, Oliver, who is the very definition of Simmering Romantic Tension. And not the “Millie Moods,” the feelings of intense emotion that threaten to overwhelm, always at maddeningly inconvenient times. Millie needs an ally. And when a left-open browser brings Millie to her dad’s embarrassingly moody LiveJournal from 2003, Millie knows just what to do. She’s going to find her mom.

There’s Steph, a still-aspiring stage actress and receptionist at a talent agency. There’s Farrah, ethereal dance teacher who clearly doesn’t have the two left feet Millie has. And Beth, the chipper and sweet stage enthusiast with an equally exuberant fifteen-year-old daughter (A possible sister?! This is getting out of hand). But how can you find a new part of your life and expect it to fit into your old one, without leaving any marks? And why is it that when you go looking for the past, it somehow keeps bringing you back to what you’ve had all along?”

Maggie Harcourt, THEATRICAL (2018).

Hope dreams of working backstage in a theatre, and she’s determined to make it without the help of her famous costume designer mum. So when she lands an internship on a major production, she tells no one. But with a stroppy Hollywood star and his hot young understudy upstaging Hope’s focus, she’s soon struggling to keep her cool… and her secret.”

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