ANA ON THE EDGE by A.J. Sass (2020)
For fans of George and Ivy Aberdeen’s Letter to the World, a heartfelt coming of age story about a nonbinary character navigating a binary world.
Twelve-year-old Ana-Marie Jin, the reigning US Juvenile figure skating champion, is not a frilly dress kind of kid. So, when Ana learns that next season’s program will be princess themed, doubt forms fast. Still, Ana tries to focus on training and putting together a stellar routine worthy of national success.
Once Ana meets Hayden, a transgender boy new to the rink, thoughts about the princess program and gender identity begin to take center stage. And when Hayden mistakes Ana for a boy, Ana doesn’t correct him and finds comfort in this boyish identity when he’s around. As their friendship develops, Ana realizes that it’s tricky juggling two different identities on one slippery sheet of ice. And with a major competition approaching, Ana must decide whether telling everyone the truth is worth risking years of hard work and sacrifice.”
MY LIFE AS A DIAMOND by Jenny Manzer (2018)
“Ten-year-old Caspar “Caz” Cadman loves baseball and has a great arm. He loves the sounds, the smells, the stats. When his family moves from Toronto to a suburb of Seattle, the first thing he does is try out for the local summer team, the Redburn Ravens. Even though Caz is thrilled when he makes the team, he worries because he has a big secret.
No one knows that back in Toronto, Caz used to live life as a girl named Cassandra. And it’s nobody’s business. Caz will tell his new friends when he’s ready.
But when a player on a rival team starts snooping around, Caz’s past is revealed, and Caz worries it will be Toronto all over again.
Will Caz’s teammates rally behind their star pitcher? Or will Caz be betrayed once more?
A heartwarming, funny, fast-paced story about the bravery it takes to live as your true self, no matter the cost.”
Robin Stevens, Death in the Spotlight (2018)
Murder Most Unladylike #7.
Daisy Wells and Hazel Wong are off to the beautiful Rue Theatre in London, where they will face an entirely new challenge: acting. But behind the theatre’s glittering facade, the girls soon realise that there is trouble at the Rue. Jealousy, threats and horrible pranks quickly spiral out of control – and then one of the cast is found dead.
As opening night looms closer, Hazel and Daisy must take centre stage and solve the crime . . . before the murderer strikes again.”
Tim Federle, BETTER NATE THAN EVER (2013).
Better Nate Than Ever #1.
Nate Foster has big dreams. His whole life, he’s wanted to star in a Broadway show. (Heck, he’d settle for *seeing* a Broadway show.) But how is Nate supposed to make his dreams come true when he’s stuck in Jankburg, Pennsylvania, where no one (except his best pal Libby) appreciates a good show tune? With Libby’s help, Nate plans a daring overnight escape to New York. There’s an open casting call for E.T.: The Musical, and Nate knows this could be the difference between small-town blues and big-time stardom.”
Diane Magras, Secret of the Shadow Beasts (2022).
For fans of Dragon Pearl and the Lockwood & Co. series comes a swift-moving contemporary fantasy about a young girl tasked with destroying deadly shadow creatures.
In Brannland, terrifying beasts called Umbrae roam freely once the sun sets, so venomous that a single bite will kill a full-grown adult–and lately, with each day that passes, their population seems to double. The only people who can destroy them are immune children like Nora, who are recruited at the age of seven to leave their families behind and begin training at a retrofitted castle called Noye’s Hill. But despite her immunity, Nora’s father refused to let her go. Now, years after his death by Umbra attack, Nora is twelve, and sees her mother almost killed by the monsters too. That’s when Nora decides it’s time for her to join the battle. Once she arrives at Noye’s Hill, though, she and her new friends are left with more questions than answers: Where are the Umbrae coming from? Could the government be covering up the true reason their population has whirled out of control? And was Nora’s father, the peaceful, big-hearted man who refused to let Nora fight, in on the treacherous secret?”
Becky Albertalli, Simon vs. The Homo Sapiens Agenda (2015).
Sixteen-year-old and not-so-openly gay Simon Spier prefers to save his drama for the school musical. But when an email falls into the wrong hands, his secret is at risk of being thrust into the spotlight. Now Simon is actually being blackmailed: if he doesn’t play wingman for class clown Martin, his sexual identity will become everyone’s business. Worse, the privacy of Blue, the pen name of the boy he’s been emailing, will be compromised.
With some messy dynamics emerging in his once tight-knit group of friends, and his email correspondence with Blue growing more flirtatious every day, Simon’s junior year has suddenly gotten all kinds of complicated. Now, change-averse Simon has to find a way to step out of his comfort zone before he’s pushed out—without alienating his friends, compromising himself, or fumbling a shot at happiness with the most confusing, adorable guy he’s never met.”
Aiden Thomas, Cemetery Boys (2020).
“A trans boy determined to prove his gender to his traditional Latinx family summons a ghost who refuses to leave in Aiden Thomas’s paranormal YA debut Cemetery Boys, described by Entertainment Weekly as “groundbreaking.”
Yadriel has summoned a ghost, and now he can’t get rid of him.
When his traditional Latinx family has problems accepting his true gender, Yadriel becomes determined to prove himself a real brujo. With the help of his cousin and best friend Maritza, he performs the ritual himself, and then sets out to find the ghost of his murdered cousin and set it free.
However, the ghost he summons is actually Julian Diaz, the school’s resident bad boy, and Julian is not about to go quietly into death. He’s determined to find out what happened and tie off some loose ends before he leaves. Left with no choice, Yadriel agrees to help Julian, so that they can both get what they want. But the longer Yadriel spends with Julian, the less he wants to let him leave.”
Lisa Jenn Bigelow, Drum Roll, Please (2018)
Find the confidence to rock out to your own beat.
Melly only joined the school band because her best friend, Olivia, begged her to. But to her surprise, quiet Melly loves playing the drums. It’s the only time she doesn’t feel like a mouse.
Now, she and Olivia are about to spend the next two weeks at Camp Rockaway, jamming under the stars in the Michigan woods.
But this summer brings big changes for Melly: her parents split up, her best friend ditches her, and Melly finds herself falling for a girl at camp named Adeline. To top it off, Melly’s not sure she has what it takes to be a real rock ‘n’ roll drummer. Will she be able to make music from all the noise in her heart?”
T. J. Klune, The House in the Cerulean Sea (2020)
A magical island. A dangerous task. A burning secret.
Linus Baker leads a quiet, solitary life. At forty, he lives in a tiny house with a devious cat and his old records. As a Case Worker at the Department in Charge Of Magical Youth, he spends his days overseeing the well-being of children in government-sanctioned orphanages.
When Linus is unexpectedly summoned by Extremely Upper Management he’s given a curious and highly classified assignment: travel to Marsyas Island Orphanage, where six dangerous children reside: a gnome, a sprite, a wyvern, an unidentifiable green blob, a were-Pomeranian, and the Antichrist. Linus must set aside his fears and determine whether or not they’re likely to bring about the end of days.
But the children aren’t the only secret the island keeps. Their caretaker is the charming and enigmatic Arthur Parnassus, who will do anything to keep his wards safe. As Arthur and Linus grow closer, long-held secrets are exposed, and Linus must make a choice: destroy a home or watch the world burn.
An enchanting story, masterfully told, The House in the Cerulean Sea is about the profound experience of discovering an unlikely family in an unexpected place—and realizing that family is yours.”
T. J. Klune, Under the Whispering Door (2021)
When a reaper comes to collect Wallace Price from his own funeral, Wallace suspects he really might be dead.
Instead of leading him directly to the afterlife, the reaper takes him to a small village. On the outskirts, off the path through the woods, tucked between mountains, is a particular tea shop, run by a man named Hugo. Hugo is the tea shop’s owner to locals and the ferryman to souls who need to cross over.
But Wallace isn’t ready to abandon the life he barely lived. With Hugo’s help he finally starts to learn about all the things he missed in life.
When the Manager, a curious and powerful being, arrives at the tea shop and gives Wallace one week to cross over, Wallace sets about living a lifetime in seven days.
Under the Whispering Door is a contemporary fantasy about a ghost who refuses to cross over and the ferryman he falls in love with.”
C. S. Pascat, Johanna the Mad and Joana Lafuente, Fence (2018).
Nicholas, the illegitimate son of a retired fencing champion, is a scrappy fencing wunderkind, and dreams of getting the chance and the training to actually compete. After getting accepted to the prodigious Kings Row private school, Nicholas is thrust into a cut-throat world, and finds himself facing not only his golden-boy half-brother, but the unbeatable, mysterious Seiji Katayama…
Through clashes, rivalries, and romance between teammates, Nicholas and the boys of Kings Row will discover there’s much more to fencing than just foils and lunges. From acclaimed writer C.S. Pacat (The Captive Prince) and fan-favorite artist Johanna the Mad.”