When smart but cash-strapped teen Ellie Chu agrees to write a love letter for a jock, she doesn’t expect to become his friend – or fall for his crush.”
Director: Alice Wu.
Writer: Alice Wu.
Cast: Leah Lewis, Daniel Diemer.
Katie and Kevin Tsang, Sam Wu is NOT Afraid of Ghosts (2018)
Brilliantly funny new series about the bravest scaredy-cat in the world
Sam Wu is NOT a scaredy-cat (except he is). When a trip to the Space Museum goes terrifyingly wrong, Sam begins a mission to prove to the school bully, and all of his friends, that he is a fearless space adventurer. A madcap story of ghost hunting, snakes and mischievous pet cats called Butterbutt.”
Jessica Kim, Stand Up, Yumi Chung! (2020)
One lie snowballs into a full-blown double life in this irresistible story about an aspiring stand-up comedian.
On the outside, Yumi Chung suffers from #shygirlproblems, a perm-gone-wrong, and kids calling her “Yu-MEAT” because she smells like her family’s Korean barbecue restaurant. On the inside, Yumi is ready for her Netflix stand-up special. Her notebook is filled with mortifying memories that she’s reworked into comedy gold. All she needs is a stage and courage.
Instead of spending the summer studying her favorite YouTube comedians, Yumi is enrolled in test-prep tutoring to qualify for a private school scholarship, which will help in a time of hardship at the restaurant. One day after class, Yumi stumbles on an opportunity that will change her life: a comedy camp for kids taught by one of her favorite YouTube stars. The only problem is that the instructor and all the students think she’s a girl named Kay Nakamura–and Yumi doesn’t correct them.”
As this case of mistaken identity unravels, Yumi must decide to stand up and reveal the truth or risk losing her dreams and disappointing everyone she cares about.”
Kelly Yang, Front Desk (2018)
Front Desk #1.
Mia Tang has a lot of secrets.
Number 1: She lives in a motel, not a big house. Every day, while her immigrant parents clean the rooms, ten-year-old Mia manages the front desk of the Calivista Motel and tends to its guests.
Number 2: Her parents hide immigrants. And if the mean motel owner, Mr. Yao, finds out they’ve been letting them stay in the empty rooms for free, the Tangs will be doomed.
Number 3: She wants to be a writer. But how can she when her mom thinks she should stick to math because English is not her first language?
It will take all of Mia’s courage, kindness, and hard work to get through this year. Will she be able to hold on to her job, help the immigrants and guests, escape Mr. Yao, and go for her dreams?”
Robin Stevens, Murder Most Unladylike (2014)
Murder Most Unladylike #1.
Forming a secret detective agency after discovering a shared talent for solving mysteries, two best friends at a 1930s boarding school tackle their first case when a science teacher dies and her body disappears.”
Robin Stevens, The Ministry of Unladylike Activity (2022)
1940. Britain is at war, and a secret arm of the British government called the Ministry of Unladylike Activity is training up spies.
Enter May Wong: courageous, stubborn, and desperate to help end the war so that she can go home to Hong Kong (and leave her annoying school, Deepdean, behind forever). May knows that she would make the perfect spy. After all, grown-ups always underestimate children like her.
When May and her friend Eric are turned away by the Ministry, they take matters into their own hands. Masquerading as evacuees, they travel to Elysium Hall, home to the wealthy Verey family – including snobby, dramatic Nuala. They suspect that one of the Vereys is passing information to Germany. If they can prove it, the Ministry will have to take them on.
But there are more secrets at Elysium Hall than May or Eric could ever have imagined.
And then someone is murdered…”
Young Adult Books:
Stacey Lee, The Downstairs Girl (2019)
By day, Jo Kuan works as a lady’s maid for the cruel Caroline Payne, the daughter of one of the wealthiest men in Atlanta. By night, Jo moonlights as the pseudonymous author of a newspaper advice column.”
“By day, seventeen-year-old Jo Kuan works as a lady’s maid for the cruel daughter of one of the wealthiest men in Atlanta. But by night, Jo moonlights as the pseudonymous author of a newspaper advice column for the genteel Southern lady, “Dear Miss Sweetie.” When her column becomes wildly popular, she uses the power of the pen to address some of society’s ills, but she’s not prepared for the backlash that follows when her column challenges fixed ideas about race and gender. While her opponents clamor to uncover the secret identity of Miss Sweetie, a mysterious letter sets Jo off on a search for her own past and the parents who abandoned her as a baby. But when her efforts put her in the crosshairs of Atlanta’s most notorious criminal, Jo must decide whether she, a girl used to living in the shadows, is ready to step into the light. With prose that is witty, insightful, and at times heartbreaking, Stacey Lee masterfully crafts an extraordinary social drama set in the New South.”
Stephan Lee, K-Pop Confidential (2000)
K-Pop Confidential #1.
A Korean-American gir navigates the complex world of K-pop stardom.”
Candace Park knows a lot about playing a role. For most of her life, she’s been playing the role of the quiet Korean girl who takes all AP classes and plays a classical instrument, keeping her dreams of stardom-and her obsession with SLK, K-pop’s top boyband-to herself. She doesn’t see how a regular girl like her could possibly become one of those K-pop goddesses she sees on YouTube. Even though she can sing. Like, really sing.
So when Candace secretly enters a global audition held by SLK’s music label, the last thing she expects is to actually get a coveted spot in their trainee program. And convincing her strict parents to let her to go is all but impossible … although it’s nothing compared to what comes next.
Under the strict supervision of her instructors at the label’s headquarters in Seoul, Candace must perfect her performance skills to within an inch of her life, learn to speak Korean fluently, and navigate the complex hierarchies of her fellow trainees, all while following the strict rules of the industry. Rule number one? NO DATING, which becomes impossible to follow when she meets a dreamy boy trainee. And in the all-out battle to debut, Candace is in danger of planting herself in the middle of a scandal lighting up the K-pop fandom around the world.
If she doesn’t have what it takes to become a perfect, hair-flipping K-pop idol, what will that mean for her family, who have sacrificed everything to give her the chance? And is a spot in the most hyped K-pop girl group of all time really worth risking her friendships, her future, and everything she believes in?”
Lyla Lee, I’ll Be the One (2020)
Korean American Skye Shin competes on a reality television show, hoping to become the first plus-sized K-pop star, while falling for her competitor, who happens to be a world-famous celebrity.”
Skye Shin has heard it all. Fat girls shouldn’t dance. Wear bright colors. Shouldn’t call attention to themselves. But Skye dreams of joining the glittering world of K-Pop, and to do that, she’s about to break all the rules that society, the media, and even her own mother, have set for girls like her.
She’ll challenge thousands of other performers in an internationally televised competition looking for the next K-pop star, and she’ll do it better than anyone else.
When Skye nails her audition, she’s immediately swept into a whirlwind of countless practices, shocking performances, and the drama that comes with reality TV. What she doesn’t count on are the highly fat-phobic beauty standards of the Korean pop entertainment industry, her sudden media fame and scrutiny, or the sparks that soon fly with her fellow competitor, Henry Cho.
But Skye has her sights on becoming the world’s first plus-sized K-pop star, and that means winning the competition—without losing herself.”
Stacey Lee, Under a Painted Sky (2015)
In 1845, Samantha, a Chinese American girl, and Annamae, an African American slave girl, disguise themselves as boys and travel on the Oregon Trail to California from Missouri.”
Missouri, 1849: Samantha dreams of moving back to New York to be a professional musician—not an easy thing if you’re a girl, and harder still if you’re Chinese. But a tragic accident dashes any hopes of fulfilling her dream, and instead, leaves her fearing for her life. With the help of a runaway slave named Annamae, Samantha flees town for the unknown frontier. But life on the Oregon Trail is unsafe for two girls, so they disguise themselves as Sammy and Andy, two boys headed for the California gold rush. Sammy and Andy forge a powerful bond as they each search for a link to their past, and struggle to avoid any unwanted attention. But when they cross paths with a band of cowboys, the light-hearted troupe turn out to be unexpected allies. With the law closing in on them and new setbacks coming each day, the girls quickly learn that there are not many places to hide on the open trail.”
Jennifer Yen, A Taste For Love (2021).
For fans of Jenny Han, Jane Austen, and The Great British Baking Show, A Taste for Love, is a delicious rom com about first love, familial expectations, and making the perfect bao.
To her friends, high school senior Liza Yang is nearly perfect. Smart, kind, and pretty, she dreams big and never shies away from a challenge. But to her mom, Liza is anything but. Compared to her older sister Jeannie, Liza is stubborn, rebellious, and worst of all, determined to push back against all of Mrs. Yang’s traditional values, especially when it comes to dating.
The one thing mother and daughter do agree on is their love of baking. Mrs. Yang is the owner of Houston’s popular Yin & Yang Bakery. With college just around the corner, Liza agrees to help out at the bakery’s annual junior competition to prove to her mom that she’s more than her rebellious tendencies once and for all. But when Liza arrives on the first day of the bake-off, she realizes there’s a catch: all of the contestants are young Asian American men her mother has handpicked for Liza to date.
The bachelorette situation Liza has found herself in is made even worse when she happens to be grudgingly attracted to one of the contestants; the stoic, impenetrable, annoyingly hot James Wong. As she battles against her feelings for James, and for her mother’s approval, Liza begins to realize there’s no tried and true recipe for love.”
Loan Le, A Pho Love Story (2021).
If Bao Nguyen had to describe himself, he’d say he was a rock. Steady and strong, but not particularly interesting. His grades are average, his social status unremarkable. He works at his parents’ pho restaurant, and even there, he is his parents’ fifth favorite employee. Not ideal.
If Linh Mai had to describe herself, she’d say she was a firecracker. Stable when unlit, but full of potential for joy and fire. She loves art and dreams pursuing a career in it. The only problem? Her parents rely on her in ways they’re not willing to admit, including working practically full-time at her family’s pho restaurant.
For years, the Mais and the Nguyens have been at odds, having owned competing, neighboring pho restaurants. Bao and Linh, who’ve avoided each other for most of their lives, both suspect that the feud stems from feelings much deeper than friendly competition.
But then a chance encounter brings Linh and Bao in the same vicinity despite their best efforts and sparks fly, leading them both to wonder what took so long for them to connect. But then, of course, they immediately remember.
Can Linh and Bao find love in the midst of feuding families and complicated histories?
When Dimple Met Rishi meets Ugly Delicious in this funny, smart romantic comedy, in which two Vietnamese-American teens fall in love and must navigate their newfound relationship amid their families’ age-old feud about their competing, neighboring restaurants.”
Helen Hoang, The Kiss Quotient (2018)
Stella Lane thinks math is the only thing that unites the universe. She comes up with algorithms to predict customer purchases—a job that has given her more money than she knows what to do with, and way less experience in the dating department than the average thirty-year-old.
It doesn’t help that Stella has Asperger’s and French kissing reminds her of a shark getting its teeth cleaned by pilot fish. Her conclusion: she needs lots of practice—with a professional. Which is why she hires escort Michael Phan. The Vietnamese and Swedish stunner can’t afford to turn down Stella’s offer, and agrees to help her check off all the boxes on her lesson plan—from foreplay to more-than-missionary position…
Before long, Stella not only learns to appreciate his kisses, but to crave all the other things he’s making her feel. Soon, their no-nonsense partnership starts making a strange kind of sense. And the pattern that emerges will convince Stella that love is the best kind of logic…”
C. S. Pascat, Johanna the Mad and Joana Lafuente, Fence (2018)
Nicholas, the illegitimate son of a retired fencing champion, is a scrappy fencing wunderkind, and dreams of getting the chance and the training to actually compete. After getting accepted to the prodigious Kings Row private school, Nicholas is thrust into a cut-throat world, and finds himself facing not only his golden-boy half-brother, but the unbeatable, mysterious Seiji Katayama…
Through clashes, rivalries, and romance between teammates, Nicholas and the boys of Kings Row will discover there’s much more to fencing than just foils and lunges. From acclaimed writer C.S. Pacat (The Captive Prince) and fan-favorite artist Johanna the Mad.”